![]() There are of course other stages and mixing facilities in the country that we will be competitive with but we are specifically not competitive with Fox or Docklands in the same way.”Īdelaide’s main focus will be television, Harris said. “I think that in some ways we are, but we are not competing in the sense that their main aim is to drive towards bigger productions. “What is also different is that we have sound stages and mixing facilities and production offices all on the one complex so in a way we are probably more integrated across all levels of production and post-production in a way that others aren’t.” Harris believes that as there is no intention to expand towards bigger productions, Adelaide Studios aren’t competing as much with the rest. Harris added that technology was also another unique aspect to Adelaide’s lot. So it was a very deliberate decision to target domestic productions, rather than try to replicate what they had on the East Coast. We are primarily targeted towards the domestic Australian production market. “Where we differ from the rest is we are not huge, I mean our largest soundstage is 1000m2 and that is probably one of the smaller ones on the Fox lot. Harris explained that it aims to target mainly domestic productions. We actually deliberately developed the whole idea of the site to create a hub of filmmaking production and practitioners.” Open for just over two months, it offers state-of-the equipment, including two sound stages, production offices, wardrobe facilities, recording and editing suites and a 96 seater theaterette. “We are connected to an industry hub and the SAFC (South Australian Film Corporation). Richard Harris, CEO of Adelaide, told Encore the concept was to create not just a production studio but a community of industry professionals. And they came here because there is as much varying jungle in a close parameter.”Īlbeit the smallest of the four, Adelaide Studios is an entirely new complex and perhaps compliments rather than competes with Australia’s existing studios. Having the volume of studios to pick from is good. ![]() We started with two studios and we’re already up to three. You look at infrastructure and studio space. ![]() Jon Cassar executive producer for Stephen Spielberg’s Terra Nova (which shot on location in the Gold Coast Hinterland as well as the Gold Coast’s Village Roadshow Studios) told Encore when searching for the right studio you have to weigh up several factors. While perhaps considerably smaller in comparison to the backlots of Hollywood, Australia’s absolute landscape versatility has proved to be a substantial draw-card. In order to compete with such universal giants, Australia’s studios must offer that little bit extra – a uniqueness not found anywhere else. Set to take on the Hollywood big league, Georgina Pearson gives a brief snapshot of each studio in its current state. Australia now boasts four main production studios with facilities of international calibre.
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